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Color-changing Text --- December 31st: On this day 1933 Born on this day was Fred Carter Jr. an American guitarist, singer, producer and composer. He was part of Nashville's 'A Team' and played with Kenny Rogers, Joan Baez, Simon & Garfunkel, Slim Whitman, Floyd Cramer, Sonny James, Hank Snow, Faron Young, Johnny Horton and Jim Reeves. He died on July 17, 2010 age 76. 1938 Born on this day was American country music and gospel singer Marilyn Sellars who had several hits during the mid-1970s most notably the original version of "One Day at a Time" in 1974. 1943 Born on this day in Roswell, New Mexico, was John Denver (Henry John Deutschendorf, Jr.), singer, songwriter, activist, and humanitarian. Denver recorded and released over 300 songs, earning him 12 gold and 4 platinum albums with his signature songs "Sunshine on My Shoulders", "Take Me Home, Country Roads", "Leaving on a Jet Plane", "Rocky Mountain High", "Annie's Song" and "Calypso". Denver was killed on October 12, 1997 at the age of 53 when his experimental Rutan Long-EZ plane, crashed into the Pacific Ocean near Pacific Grove, California. 1952 Hank Williams was scheduled to perform at the Municipal Auditorium in Charleston, West Virginia but due to an ice storm in the Nashville area, Williams could not fly, so he hired Charles Carr, to drive him to the concert. When they arrived at the Andrew Johnson Hotel in Knoxville, Tennessee, Williams complained of feeling unwell and saw a doctor. Carr and Williams checked out of the hotel, and at around midnight in Bristol, Virginia, Carr stopped at a small all-night restaurant and asked Williams if he wanted to eat. Williams said he did not, and those are believed to be his last words. Carr later stopped for fuel at a gas station in Oak Hill, West Virginia, where he realized that Williams was dead. 1954 Born on this day in Aylmer, Quebec, was Charlie Major Canadian country music artist. He was blinded in one eye as a result of a pellet gun accident when he was 12. Through the 1990s, he won the Juno Award as Country Male Vocalist of the Year for two years in a row. 1968 Billboard magazine reports that this year, for the first time, US total music sales have topped one billion dollars. Glenn Campbell scored six #1 albums in 1968. His total of 19 weeks at #1 was the most by any artist, more than twice that achieved by any other act. 1977 Dolly Parton's "Here You Come Again" spent its fifth week at #1 on the Billboard Hot Country Singles chart. It would be the last song to spend that long atop the chart until 1990's "Love Without End, Amen" by George Strait. 1995 The Great American Country TV channel was launched with Garth Brooks' video "The Thunder Rolls" as the first video. 1997 American pianist Floyd Cramer died age 64. He became famous for his use of melodic "whole-step" attacks. He was one of the busiest studio musicians in the industry, playing piano for stars such as Elvis Presley, Brenda Lee, Patsy Cline, the Browns, Jim Reeves, Eddy Arnold, Roy Orbison, Don Gibson, and the Everly Brothers, among others. It was Cramer's piano playing, for instance, on Presley's first RCA Victor single, "Heartbreak Hotel". In 1961, Cramer had a hit with "On the Rebound", which went to #4 on the Billboard chart. 2002 Shania Twain was at #1 on the US Country chart with her fourth studio album Up! The album debuted at #1 on both the Top Country Albums chart and the Billboard 200, after selling 874,000 copies in its first full week of release, it then stayed in the Top 100 of the Billboard chart for more than 60 weeks. 2017 Luke Bryan was at #1 on the Country Charts with What Makes You Country his sixth studio album. The album includes the singles "Light It Up", "Most People Are Good", "Sunrise, Sunburn, Sunset". and the title track.
I REMEMBER RANDY
Previously published in "The Chanticleer" JSU Student Newspaper
By Administrator
Published on 06/22/2025 15:41 • Updated 06/25/2025 03:36
Entertainment

I REMEMBER RANDY

I first met Randy Owen in the early 70's.

I remember Randy—a lanky fellow with jeans so worn they probably had stories of their own. Those denim threads, held together by repairs and dreams, were worn by a young man who possessed more talent than the law ought to allow; yet I didn't know it. On a college campus in the '70s, where everyone was scrambling to find themselves amid the haze of change, Randy didn't stand out like a wildfire in a wheat field. He was just one of us.

You didn't hear his laughter echoing across the quad, or a carefree chuckle that made you feel like everything might just turn out alright. I don't recall a guitar slung over his shoulder or a harmonica peeking out of his back pocket, although now I know Randy was a walking symphony waiting to happen. While most of us were buried in textbooks, trying to decipher Socrates or stumbling through calculus, I do remember knowing Randy found meaning in the strum of a chord and the poetry of untamed lyrics; like everyone knew he wanted to make music.

 
 

I don't remember sessions under the old oak tree—me, Randy, and a motley crew of dreamers and drifters. He didn't play until the sun dipped below the horizon, the sky ablaze with colors that seemed to mirror the notes that were yet to flow from his fingers. And deep inside, I never had a premonition there was a yet-to-be—a music that possibly would be written someday that would wrap us all in a cocoon tunes and lyrics that would last for decades to come . Yet, I don't remember thinking it would ever be played.

Now I look back and realize like most of us, Randy wasn't just in college bent on having fun; he was secretly chasing a dream with the kind of reckless optimism that only youth can afford. Behind those spirited eyes, I should have seen there was a hint of something deeper—a quest for purpose, a yearning to understand a world spinning faster than we could keep up with. But Randy was was like an unseen comet blazing across the night sky, brilliant and ignored. He was just another one of us.

Amidst protests and the ever-present buzz of societal upheaval, Randy absorbed day-to-day events and held them sacred; the songs would become the soundtrack of our lives. He captured feelings and the spirit of the times—the confusion, the elation, the defiance—with melodies that would someday resonate

in our very bones. But for all his charisma and the crowds that never flocked to him, I cannot recall moments when he would drift into solitude, gazing into the distance as if searching for answers written in the stars. Randy undoubtedly has set a course for success, and I never realized it.

 

But now I often wonder about those quiet moments which I do recall around Randy; I discounted it as shyness and intelligence. Did he feel alone in a sea devoid of others like himself? Was the weight of his own expectations a burden he bore silently? It's strange how someone can be a beacon of inspiration

today, yet wrestled with their own brand of loneliness or shyness when they were in their twenties. Maybe it's the curse of the truly gifted, always reaching for a horizon that keeps moving just out of grasp; maybe I just didn't have the ambition or the talent.

 

Looking back now, I realize Randy was more than just another student shuffling between lecture halls. He had a catalyst—a spark that ignited something in him, alone. His passion was unnoticed, but there had to be a stirring and restlessness to break free from the mold and carve his own path. He must have realized that chasing a dream wasn't just a fanciful notion but an absolute necessity.

Sometimes I catch myself humming a tune that comes from one of Randy's songs, and it all comes rushing back—the camaraderie, the uncertainty, the unbridled joy of that time. It's a reminder that those days shaped us in ways we're still unraveling. Randy epitomized the spirit of an era defined by possibility and fueled by the audacity to hope.

Do you ever think about the Randys of the world? The ones in worn-out jeans with eyes full of wonder, daring to dream a little bigger than the rest of us? It's comforting to imagine they're still out there, perhaps not strumming guitars under starlit skies, but refusing to let the world dim their shine.

 

Maybe we all have a bit of Randy within us—a flicker of that youthful exuberance, a lingering desire to chase after something more. Perhaps it's never too late to dust off those old dreams, patch up our own worn jeans, and see where the road might lead.

If the good Lord granted me a "do-over" for those times I was around Randy during those years, I'd have made a point to be a little more like him. But then again, none of us—not even Randy himself, I reckon—knew he'd ride his shooting star of a career this far.

Ken Todd

Editor in Chief of The Chanticleer (1971-1972)

Official Campus Newspaper of Jacksonville State University

Randy Owen graduated from Jacksonville State University in 1973 with a degree in English. That same year, he and his cousins were already chasing their dream full-time—laying the foundation for what would become one of the most legendary bands in country music history.

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